MEET ME AT RINGSIDE: “non-fiction” novel as a one-punch literary phenomenon

Authors

  • RICARDO NAMORA Universidade de Coimbra

Keywords:

Non-fiction novel; History; narrative; presence; objetivity

Abstract

The text will focus on the golden era of the so-called “non-fiction novel”, seeking to describe the difficulties in defining the sub-genre within the context of an overarching theoretical quest which aspires to determine the exact terms of a notion of “fiction” in a literary framework. Two exemplary works from the period will be described, and the strategies put into force by both their authors (Truman Capote and Norman Mailer) – in order to enforce a certain idea of (non) “fiction” –, albeit multimodal and sometimes inconsistent, will be compared. That idea of “fiction” entails, as will become apparent, decisive side implications on the definitions of crucial terms such as “narrator”, “tale”, “account” and even “History”, calling for a deliberate rarefaction of these categories in order to accommodate an uncommon, unmatchable sense of “presence”.

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Author Biography

RICARDO NAMORA, Universidade de Coimbra

Guest Assistant Professor - Universidade de Coimbra, Portugal

Researcher - Centro de Literatura Portuguesa da Universidade de Coimbra

References

CAPOTE, Truman (1992 [1965]). In Cold Blood. A True Account of a Multiple Murder and its Consequences. New York: The Modern Library.

CUDDON, J.A. (1999 [1976]). Dictionary of Literary Terms and Literary Theory. London: Penguin Books.

FRYE, Northrop (1990 [1957]). Anatomy of Criticism. Princeton & Oxford: Princeton University Press.

MAILER, Norman (2018 [1968]). The Armies of the Night. History as Novel/The Novel as History. London: Penguin Random House UK.

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Published

2026-07-22

How to Cite

NAMORA, R. (2026). MEET ME AT RINGSIDE: “non-fiction” novel as a one-punch literary phenomenon. VIA PANORAMICA: Revista De Estudos Anglo-Americanos A Journal of Anglo-American Studies, 15(1). Retrieved from https://ojs.letras.up.pt/index.php/VP/article/view/16120