Arte e Mulheres na (margem da) contemporaneidade

criação artística Roma no cruzamento com o feminismo e o artivismo

Abstract

This article proposes an exploratory and comparative sociological reading of the artistic production of Małgorzata Mirga-Tas and Delaine Le Bas, two Roma artists with an internationally renowned career. We analyze how both negotiate, within the field of contemporary art, the recognition of the Roma population in general and women in particular from an a(r)tivist practice. Using techniques of content analysis and visual analysis, the article comparatively analyzes a set of works by both artists, proposing, as a conceptual contribution, the notion of aesthetic-activist feminism Roma, suggesting its future application beyond the field of visual arts.