Vol. 8 No. 3, Volume especial (2025): Todas as Artes

Capa

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Ficha Técnica

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Technical Sheet

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Parceristas

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Sumário

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Summary

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DEBATES BETWEEN SOCIOLOGY AND ART HISTORY – -BRAZIL, SOUTH AMERICA, AND THE CARIBBEAN IN PERSPECTIVE

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FROM ART COLLECTIONS TO DRESS COLLECTIONS. A RESEARCH JOURNEY

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42, PANORAMA STREET, HAVANA FROM THE GARDEN TO THE JUNGLE: OTHER WAYS OF UNDERSTANDING THE NON HUMAN IN THE WORK OF WIFREDO LAM (1942–1946)

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ANTÔNIO BENTO AND THE BRAZILIAN PARTICIPATION IN THE 1ST AND 2ND AICA CONGRESSES (1948-1949) – INTERNATIONALIZATION AND PROFESSIONALIZATION OF ART CRITICISM IN BRAZIL

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THE SÃO PAULO BIENNIALS IN THE 1970S: CRISIS OR THE URGENCY OF REVISION?

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VALUE CREATION, ECONOMIC ASSETS AND SOCIAL SAFEGUARD IN CONTEMPORARY ARGENTINE ART EXCHANGE MODELS

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PROJECT LAB_MUSEOS: INSTITUTIONAL, DISCURSIVE, AND PROFESSIONAL CHALLENGES. ASSESSMENT AND PERSPECTIVES

BLACK PERSPECTIVES FOR THE SOCIOLOGY OF BRAZILIAN ART: THE AFRO-BRASILIDADE EXHIBITION AND THE RELEVANCE OF GUERREIRO RAMOS

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Volume completo Todas as Artes [Volume Especial]

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